Luxury cars, borrowed villas, female bodies reduced to accessories, saturated colors, and incessant camera movements: a large part of the video clips produced in Haiti seems trapped in repetitive visual recipes. However, the richness of Haitian music, the beauty of the landscapes, and the complexity of social reality offer considerable cinematographic material. For Gaël (Mø Øn) Jean-Baptiste, it is time to rethink audiovisual creation, break away from imported models, and turn the image into a true space of artistic expression.<\/str
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