If cinema advances like a train in the night, the entire Haitian media landscape has, on its part, deliberately barricaded the stations, cut the rails, and extinguished the lanterns. There is no air time dedicated to the practice of cinema in our broadcasting system, and even less so in our television schedules. No critical shows, analyses, or decryptions. No lively discussions about the latest work of one of our filmmakers. No passionate debates where a sound engineer, a cinematographer, a makeup artist, or a production manager could come t
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